My work blends steampunk aesthetics with retro space exploration themes to explore the potential apocalyptic fates of human civilization and the hope that remains. Human behavior often confuses and saddens me—on one hand, we adapt to adversity and create miracles; on the other hand, we can be selfish, misusing technology. To reflect this, I create grand, impossible structures and then depict their collapse, highlighting humanity’s achievements in technology, politics, and civilization, as well as the potential for a crumbling future.

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In my creative process, I draw inspiration from vintage science fiction, real-life events, and mythology. I use acrylic paint along with materials like diodes, screws, wires, and wood chips to build the visual elements of my work. These materials are deliberately chosen to symbolize the conflict between artificial and natural elements. By combining them and emphasizing the contrast with vibrant colors and decayed textures, I aim to visually portray the tension between human technology and nature's response.

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My work focuses on the decline of civilization and the hope for survival amid chaos. By juxtaposing advanced technology with political turmoil, I aim to provoke thought on the fate of humanity, highlighting the relationship between progress and decay.